With the
book launch for Rav Bezalel Naor’s “The Legends of Rabbah Bar Bar Hannah” based
on Rav Kook’s commentary, coming up on December 10th in Teaneck,
this is an opportune time to share my thoughts on Rav Naor’s latest
masterpiece. (Click here
to view the Facebook event page)
This is not
my first review of one of Rav Naor’s sefarim. Most recently, I reviewed his Rav
Kook siddur. I’ve been blessed to not only learn from Rav Naor’s writings, but
also from him in person. It is no exaggeration to say that he is like no
teacher of Torah I’ve met before. While he is perhaps known as one of the
biggest experts on Rav Kook’s Torah, his encyclopedic knowledge covers much
more than “only” Rav Kook. He has published dozens of books on all sorts of
subjects, which cover all areas of Torah, both nigleh and nistar. Those of us
who have merited to learn from him in person, are continuously amazed by his
grasp of Shas, halacha, machashava and more.
Rav Noar’s
latest work is no exception. The Rabbah Bar Bar Hannah stories, found in Bava
Basra 73a-74a, are as wild as they are enigmatic. RBBH meets all sorts of
interesting people and sees mythic creatures. While the uninformed reader may
see these stories as “tall tales” or mythology, through the eyes of a talmid
chacham, they contain great secrets. Famously, the Vilna Gaon wrote a
commentary on these stories, which became well known through Rav Aharon Feldman’s
The Juggler and the King. Through the GRA’s grasp of all of Torah, these
stories are revealed to have the greatest depth. Long before he became the
Chief Ashkenazi Rabbi of Palestine, while still living in Eastern Europe, where
he served as a rav, a young Rav Kook also wrote a commentary on these gemaras.
Rav Naor’s
new book contains the commentary in Hebrew, as well as in English with extensive
endnotes, which k’darko b’kodesh, reveals Rav Naor’s encyclopedic knowledge,
and fascinating analysis. Rav Naor shows how a young Rav Kook already possessed
a thorough knowledge of nigleh and nistar, the latter of which he refers to
directly, something which is different from Rav Kook’s later works. As if that
wasn’t enough, there are 11 appendices included on fascinating topics including
Rav Kook’s thoughts on mussar, Chabad chassidus, his connection to the Ramchal,
and his understanding of what must happen for Moshiach to come.
While I
loved nearly everything about this book, I was surprised by its cover, as well
as the artwork which accomplishes each new section of aggadeta. Rav Naor’s name
does not appear on the cover, and the title, referring to the aggdeta as “Legends”,
as well as the artwork might well lead to someone thinking that this is a
children’s book. Of course, it is anything but. It would be a shame if people
judged this work by its cover. It is the latest in the incredible writings of
Rav Naor, and as with all of his sefarim, it deserves to be studied by talmidei
chachamim.
I
am grateful to Alec Goldstein of Kodesh Press for making this work
available to those who yearn for Rav Kook’s Torah.
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